Dwight Peck's personal website
Winter
2005-2006
Short
breaks from poring over the newspapers as the Bushies implode
You
may not find this terribly rewarding unless you're included here, so this is a
good time for casual and random browsers to turn back before they get too caught
up in the sweep and majesty of the proceedings and can't let go.
An
autumn trip to the USA (footnote)
Narragansett, Rhode Island, recalling the Gilded Age

These
are the famous Narragansett Towers on the pier, all that's left of the Casino
Resort that drew the Idle Rich from all over New England and New York City in
the Victorian "gilded age", the gateway to a world of casinos, polo,
tennis, beaches, boating, gourmet restaurants, cards, shooting, billiards, bowling,
theatre, a bandstand and a ballroom, and palatial hotels that seduced people off
the New York-to-Boston train before they could get as far as the docks for the
steamer across to Newport. The shingly Casino was built 1883-1886, with landscaping
by Frederick Law Olmsted, but burnt to the ground on 12 September
1900, leaving only the stone towers behind.
A
silly but entertaining contrast between the holiday social life of Newport and
Narragansett in 1902 can be found in the odd book "Two Thousand Miles on
an Automobile" by a man called "Chauffeur", who was actually Arthur
Jerome Eddy, 1859-1920, art collector and friend of Whistler.
http://www.gutenberg.org/files/12380/12380.txt
TWO THOUSAND MILES ON AN
AUTOMOBILE
BEING
A DESULTORY NARRATIVE OF A TRIP THROUGH NEW ENGLAND, NEW YORK, CANADA, AND THE
WEST
BY
"CHAUFFEUR", 1902
[Excerpt] It
was seven o'clock, dark and quite cold, when we drew up in front of Green's Inn.
The
season was over, the Pier quite deserted. A summer resort after the guests have
gone is a mournful, or a delightful, place-- as one views it. To the gregarious
individual who seeks and misses his kind, the place is loneliness itself after
the flight of the gay birds who for a time strutted about in gorgeous plumage
twittering the time away; to the man who loves to be in close and undisturbed
contact with nature, who enjoys communing with the sea, who would be alone on
the beach and silent by the waves, the flight of the throng is a relief. There
is a selfish satisfaction in passing the great summer caravansaries and seeing
them closed and silent; in knowing that the splendor of the night will not be
marred by garish lights and still more garish sounds.
Were
it not for the crowd, Narragansett Pier would be an ideal spot for rest and recreation.
The beach is perfect,--hard, firm sand, sloping so gradually into deep water,
and with so little undertow and so few dangers, that children can play in the
water without attendants. The village itself is inoffensive, the country about
is attractive; but the crowd--the crowd that comes in summer--comes with a rush
almost to the hour in July, and takes flight with a greater rush almost to the
minute in August,--the crowd overwhelms, submerges, ignores the natural charms
of the place, and for the time being nature hides its honest head before the onrush
of sham and illusion.
Why
do the people come in a week and go in a day? What is there about Narragansett
that keeps every one away until a certain time each year, attracts them for a
few weeks, and then bids them off within twenty-four hours? Just nothing at all.
All attractions the place has--the ocean, the beach, the drives, the country--remain
the same; but no one dares come before the appointed time, no one dares stay after
the flight begins; no one? That is hardly true, for in every beautiful spot, by
the ocean and in the mountains, there are a few appreciative souls who know enough
to make their homes in nature's caressing embrace while she works for their pure
enjoyment her wondrous panorama of changing seasons. There are people who linger
at the sea-shore until from the steel-gray waters are heard the first mutterings
of approaching winter; there are those who linger in the woods and mountains until
the green of summer yields to the rich browns and golden russets of autumn, until
the honk of the wild goose foretells the coming cold; these and their kind are
nature's truest and dearest friends; to them does she unfold a thousand hidden
beauties; to them does she whisper her most precious secrets.
But
the crowd--the crowd--the painted throng that steps to the tune of a fiddle, that
hangs on the moods of a caterer, whose inspiration is a good dinner, whose aspiration
is a new dance,-- that crowd is never missed by any one who really delights in
the manifold attractions of nature.
Not
that the crowd at Narragansett is essentially other than the crowd at Newport--the
two do not mix; but the difference is one of degree rather than kind. The crowd
at Newport is architecturally perfect, while the crowd at Narragansett is in the
adobe stage,-- that is the conspicuous difference; the one is pretentious and
lives in structures more or less permanent; the other lives in trunks, and is
even more pretentious. Neither, as a crowd, has more than a superficial regard
for the natural charms of its surroundings. The people at both places are entirely
preoccupied with themselves--and their neighbors. At Newport a reputation is like
an umbrella--lost, borrowed, lent, stolen, but never returned. Some one has cleverly
said that the American girl, unlike girls of European extraction, if she loses
her reputation, promptly goes and gets another,--to be strictly accurate, she
promptly goes and gets another's. What a world of bother could be saved if a woman
could check her reputation with her wraps on entering the Casino; for, no matter
how small the reputation, it is so annoying to have the care of it during social
festivities where it is not wanted, or where, like dogs, it is forbidden the premises.
Then, too, if the reputation happens to be somewhat soiled, stained, or tattered,--like
an old opera cloak,--what woman wants it about. It is difficult to sit on it,
as on a wrap in a theatre; it is conspicuous to hold in the lap where every one
may see its imperfections; perhaps the safest thing is to do as many a woman does,
ask her escort to look out for it, thereby shifting the responsibility to him.
It may pass through strange vicissitudes in his careless hands,--he may drop it,
damage it, lose it, even destroy it, but she is reasonably sure that when the
time comes he will return her either the old in a tolerable state of preservation,
or a new one of some kind in its place.
Narragansett
possesses this decided advantage over Newport, the people do not know each other
until it is too late. For six weeks the gay little world moves on in blissful
ignorance of antecedents and reputations; no questions are asked, no information
volunteered save that disclosed by the hotel register,-- information frequently
of apocryphal value. The gay beau of the night may be the industrious clerk of
the morrow; the baron of the summer may be the barber of the winter; but what
difference does it make? If the beau beaus and the baron barons, is not the feminine
cup of happiness filled to overflowing? the only requisite being that beau and
baron shall preserve their incognito to the end; hence the season must be short
in order that no one's identity may be discovered.
At
Newport every one labors under the disadvantage of being known,--for the most
part too well known. How painful it must be to spend summer after summer in a
world of reality, where the truth is so much more thrilling than any possible
fiction that people are deprived of the pleasure of invention and the imagination
falls into desuetude. At Narragansett every one is veneered for the occasion,--every
seam, scar, and furrow is hidden by paint, powder, and rouge; the duchess may
be a cook, but the count who is a butler gains nothing by exposing her.
The
very conditions of existence at Newport demand the exposure of every frailty and
every folly; the skeleton must sit at the feast. There is no room for gossip where
the facts are known. Nothing is whispered; the megaphone carries the tale. What
a ghastly society, where no amount of finery hides the bald, the literal truth;
where each night the same ones meet and, despite the vain attempt to deceive by
outward appearances, relentlessly look each other through and through. Of what
avail is a necklace of pearls or a gown of gold against such X-ray vision, such
intimate knowledge of one's past, of all one's physical, mental, and moral shortcomings?
The smile fades from the lips, the hollow compliment dies on the tongue, for how
is it possible to pretend in the presence of those who know?
At
Narragansett friends are strangers, in Newport they are enemies; in both places
the quality of friendship is strained. The two problems of existence are, Whom
shall I recognize? and, Who will recognize me? A man's standing depends upon the
women he knows; a woman's upon the women she cuts. At a summer resort recognition
is a fine art which is not affected by any prior condition of servitude or acquaintance.
No woman can afford to sacrifice her position upon the altar of friendship; in
these small worlds recognition has no relation whatsoever to friendship, it is
rather a convention. If your hostess of the winter passes you with a cold stare,
it is a matter of prudence rather than indifference; the outside world does not
understand these things, but is soon made to.
Women
are the arbiters of social fate, and as such must be placated, but not too servilely.
In society a blow goes farther than a kiss; it is a warfare wherein it does not
pay to be on the defensive; those are revered who are most feared; those who nail
to their mast the black flag and show no quarter are the recognized leaders,--Society
is piracy.
Green's
Inn was cheery, comfortable, and hospitable; but then the season had passed and
things had returned to their normal routine.
The
summer hotel passes through three stages each season,--that of expectation, of
realization, and of regret; it is unpleasant during the first stage, intolerable
during the second, frequently delightful during the third. During the first there
is a period when the host and guest meet on a footing of equality; during the
second the guest is something less than a nonentity, an humble suitor at the monarch's
throne; during the third the conditions are reversed, and the guest is lord of
all he is willing to survey. It is conducive to comfort to approach these resorts
during the last stage,--unless, of course, they happen to be those ephemeral caravansaries
which close in confusion on the flight of the crowd; they are never comfortable.
The
best road from Boston to New York is said to be by way of Worcester, Springfield,
and through central Connecticut via Hartford and New Haven; but we did not care
to retrace our wheels to Worcester and Springfield, and we did want to follow
the shore; but we were warned by many that after leaving the Pier we would find
the roads very bad.
As
a matter of fact, the shore road from the Pier to New Haven is not good; it is
hilly, sandy, and rough; but it is entirely practicable, and makes up in beauty
and interest what it lacks in quality.
We
did not leave Green's Inn until half-past nine the morning after our arrival,
and we reached New Haven that evening at exactly eight,--a delightful run of eighty
or ninety miles by the road taken.
The
road is a little back from the shore and it is anything but straight, winding
in and out in the effort to keep near the coast. Nearly all day long we were in
sight of the ocean; now and then some wooded promontory obscured our view; now
and then we were threading woods and valleys farther inland; now and then the
road almost lost itself in thickets of shrubbery and undergrowth, but each time
we would emerge in sight of the broad expanse of blue water which lay like a vast
mirror on that bright and still September day.
We
ferried across the river to New London. At Lyme there is a very steep descent
to the Connecticut River, which is a broad estuary at that point. The ferry is
a primitive side-wheeler, which might carry two automobiles, but hardly more.
It happened to be on the far shore. A small boy pointed out a long tin horn hanging
on a post, the hoarse blast of which summons the sleepy boat.
There
was no landing, and it seemed impossible for our vehicle to get aboard; but the
boat had a long shovel-like nose projecting from the bow which ran upon the shore,
making a perfect gang-plank.
Carefully
balancing the automobile in the centre so as not to list the primitive craft,
we made our way deliberately to the other side, the entire crew of two men--engineer
and captain--coming out to talk with us.

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All rights reserved, all wrongs avenged. Posted 1 February 2006, revised 15 August 2014.
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